Up and Coming: Jessie's Popover Sundress Class

Posted by AVFKW Staff on June 18, 2013 0 Comments

 Are you a budding sewist (aka, a seamstress or seamster?)? If you know the basics of your sewing machine, and you want to dive into garment-making, our Popover Sundress Class is a quick, and fun, place to start. 

 

 

popover sundresses in lovely Nani Iro floral prints

We're so excited about this class, we've even scheduled it twice: once this Thursday and once this Saturday. There's plenty of room in both sessions, so pick the one most convenient for you. If you don't have a sewing machine, you can get in touch with us about renting one for the class. In an afternoon, our expert sewing instructor, Jessie, will guide you through all the basics of making a simple, and beautiful Popover Sundress. You'll need a sewing machine (did you know we have two you can rent here in the store?), basic sewing skills, and a willing spirit. You'll leave the class with a beautiful little dress, along the way picking up all the skills you need for your future garment-sewing adventures. 

 

learn bias tape and binding
 

For all the information on this great class, see our detailed class description. For a complete list of all the great classes we have coming up here at Verb, take a look at the “Classes” tab on our website.


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Pioneer From Sheep to Shelf Part Three: The Green Mountain Spinnery

Posted by Huelo Dunn on June 10, 2013 3 Comments

 

Just of off Route 91- a few miles from downtown Putney, Vermont- is an unassuming little building that’s been a pilgrimage site for knitters for over thirty years. That’s where the Green Mountain Spinnery, a worker-owned cooperative, spins a vast array of natural fibers into yarn.

Every step of the milling process, from scouring to skeining, happens at the Spinnery on iconic antique machinery. A small staff of dedicated worker-owners oversees the entire process, with incomparable expertise and love of their craft. They've also published a host of beautiful patterns and books, designed especially for their unique array of natural fibers. Between their own line of beautiful, domestic yarns, and the many different yarns they custom-mill for farms, The Spinnery is home to some of the hardest workers in the business.

It might seem odd that we brought the snowy little state of Vermont in on our California Wool Project. Someday, we hope we can mill a high-quality organic wool like Pioneer here in California. However, for our first batch of California yarn, we wanted to get every detail just perfect. We loved Sally Fox’s organic merino fleece so much, that we wanted to make the best possible yarn from it, and, most importantly, to keep it organic. The Spinnery could do that, at the scale we needed and with the attention to detail we needed. Kristine had some very specific ideas about her dream California sweater yarn, and David Ritchie at the Spinnery was the man to help her bring those ideas to life. The Spinnery could also do every step of the process without harsh chemicals. They use detergents and spinning oils made with vegetable-based oil, rather than petroleum, to minimize their environmental impact. David and the team at the Spinnery had the commitment to their product, and to their planet, that the California Wool Project required.

If there were any doubts that milling our yarn in Vermont was the right choice, they were dispelled when we opened the first box of Pioneer. The yarn was soft and sturdy. Fifty grams held a whopping 160 yards, but it was lofty enough to make a firm, warm fabric at 4 ½  stitches per inch. We couldn’t imagine having made a better yarn anywhere else. Pioneer was perfect.


Naturally, I wanted to interview these amazing Vermonters behind Pioneer. David Ritchie graciously agreed to tackle my sweeping questions (I was curious about literally everything the Spinnery does!), with some help from worker/owners, Ashlyn and Gail.

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HD: For our readers/customers who’ve never been to Putney, can you describe the Green Mountain Spinnery very briefly? How big is your mill? How old are your machines, and what makes the Green Mountain Spinnery unique?

David: The Green Mountain Spinnery is located in southeastern Vermont. Friends from the northern part of the state call this the “Banana Belt.” The building was a Mobil gas station in its previous life. Now instead of fossil fuel, our product is renewable fiber for keeping out the wet and cold.

We believed the wool from those sheep on the nearby hills could do more for us than they were at the time, although we were told then that it was nearly useless.  So- very naively- with a few local men with lifetime relationships to the old textile machinery world, we put together this mill, and went out to talk to the breeders. Today we produce about 200 lbs of natural fibers yarn a week. Everything here is almost an icon: the machines, the fiber from each flock and particular weather cycle, and the people- who, one way or another, are usually fiber-holics.

It is not all glory working here. It can get hot. Machines and people are fragile sometimes, and so is the fiber going through, so people have to have a kind of crazy commitment beyond a normal job.  We have been blessed with this, and it is especially true today!

Vermont's Banana Belt

What's the most rewarding thing about working in the Spinnery for you?

David: As a founder, rewarding for me is to have created our basic principles for the kind of business we wanted, and then to meet the challenge of practicing them every day, in the real world.  This can be very difficult, but is also so exciting when it really does happen! Working with Verb to create Pioneer is a great example.

Ashlyn: As a newer employee of the Spinnery, it's challenging to decide what the most rewarding aspect of working at the Spinnery is- there are so many! I would say that the process of sussing out what each customer wants, combined with what their fiber wants to be, and how to achieve that, is the most satisfying for me. I also always love finding new ways to achieve what we want from the spinning frame- my particular favorite machine to run.  


carded fleece at the Spinnery

Since the Spinnery was founded in 1981, how has your business changed (have you been there since the beginning)? How has the yarn industry changed in that time?

David: I cannot really comment on the yarn industry in general, but I do know that when we started, in 1981, we were called the smallest yarn manufacturer in the country.  For someone to get their own yarn from their own locally grown fiber was basically unheard of. We wanted to change that.

Gail: When the Spinnery began, only wool fibers were used and only in natural colors.  Shortly after, there were two bales of fiber that were dyed and in combinations there were then several colors of yarn.  Now there are many lines of yarn where wool is blended with other natural fibers.  We use cotton, alpaca, mohair, and Tencel (a cellulosic fiber).  We now have many more colors of dyed wool to blend into many, many combinations.  A few years ago, our book of Spinnery patterns was published with the title 99 Yarns and Counting to reflect that huge increase.


some of the Spinnery's wide array of yarns

Can you tell us about the machinery you used to spin Pioneer?

Ashlyn: Pioneer was scoured, picked, carded, spun, plyed, and skeined on beautiful, antiquated, rare, and in most cases, uniquely hands-on machinery. The extractor (used to pull out water after scouring) is our oldest machine, from 1896, and was found in an old laundry room in a hotel in Bellows Falls, Vermont. Our carding machine dates from 1916 and is one of eleven left in the country. Parts of it are closing in on a century old, and it runs almost every work day, with its stripper and worker rolls tuned to an almost perfect 1/32 of an inch apart. The lack of computerization in our process both requires and allows us to employ a heightened degree of hands-on work and observation. Each break in the roving on the spinning frame is amended by hand, and each skein knot was tied by a person running the skeining machine- a rarity! Like most artisanal products, the work of our hands is made visible in the quality of the work.

Gail: The spinning and plying frames are from around 1950. The process begins with scouring the fibers, removing the lanolin/grease and dirt that may have gotten on during the life of the sheep.  The fibers lose about a third of their weight from removing all the grease. The scoured fibers are then separated and fluffed in the picking process. Next comes the carding to separate to individual fibers, blend the colors together, and line them up in one direction.  The pencil roving is put onto rolls and the rolls are carried over to the spinning frame. After spinning, the old wooden bobbins full of single-strand fiber are steamed for three hours to set the twist. Those bobbins are put up on the plying machine and the strands are twisted together in the opposite direction to create a two-ply yarn. Those bobbins of plied yarn are then steamed for three more hours. The bobbins of finished yarn are then put up on the skeining machine, and 12 skeins are made at a time, all to the desired yardage.

The Spinnery is unusual for many reasons, one in particular being that it's a worker-owned cooperative. When/why did you decide to go co-op? What are the challenges and rewards of being part of a co-op?

David: We founded the company in 1981 with the expressed wish to be a worker owned co-op, but it took many years for this to come to pass.  In 2007, we went from a three-person ownership to seven, and therefore a fully worker-owned company. This means we have a lot of collaboration throughout the company, and we are often consulting with other co-op support organizations to help us work out the many challenges of working this way.  Next month will be our annual Vermont Employee-Ownership Conference that some of us usually attend. It can be a challenge to feel everything you do has to be evaluated by a group, but we keep that problem minimized by making sure each owner has some freedom to act on her/his own.  Then, with that in place, we take advantage of all the resources available among us for deciding new directions and creating new yarns.

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I can't imagine anyone hearing the story of the Spinnery and not being inspired. Through some of the toughest years in the history of this country's textile industry, they've grown into one of the most revered mills in the country. And they've done it with a commitment to cooperative values and environmental sensitivity, every step of the way. -HD

Thanks to the Green Mountain Spinnery for most of these photos. For more information and a photographic tour of the Spinnery, check out their comprehensive website.

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Fabric from Pendleton Woolen Mills!

Posted by Kristine Vejar on June 11, 2013 0 Comments

Our fabric from Pendleton Woolen Mills is here!

We have five colors of Eco-Wise Solid Flannel. Woven from 100% virgin wool in US mills with strict sustainability standards, this fabric is designed to leave the smallest environmental impact possible.

At Quilt Market, Kristine saw log cabin throw pillows made from two colors of Eco-Wise Solid Flannel. This would be a simple but elegant project to adorn your living room. Or for a more adventure some project, how about a full size log cabin quilt to match the pillows?


We also ordered three amazing bolts from the Washables line, which can be machine washed and dried.

 

Made of 100% virgin wool and 60" wide, these would make beautiful, classic dress shirts. I know Adrienne is dying to make a new Negroni out of them.

 

Finally, we have one bolt of Pendleton's reversible jacquard blanket weight fabric! This fabric is woven on a jacquard loom with hundreds of warp threads, creating a thick, rich, double-sided fabric. 

 

Recipe for a Pendleton blanket: Two yards of fabric + binding + simple stitching, and tada! A hand finished Pendleton blanket!

The fabric is 64" wide, and would make beautiful throws and lap blankets as well as full sized ones. For a smaller project, a single layer would make a sturdy coin purse or book bag.

Come by the store to see the fabric and start a new project! We would be happy to help you select a project for this amazing fabric.

-- Sarah

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INDIGO - Learn surface design through resist dyeing!

Posted by Kristine Vejar on June 09, 2013 0 Comments

 

Kristine, owner of A Verb for Keeping Warm, will guide you through the ancient world of dyeing with resist techniques. 
You will create surface design patterns through different folding, tying, and sewing methods.
The results are always surprising and beautiful.  Plus the great thing about resist dyeing with indigo,
there is no need to mordant first and you can dye cellulose fabric.  

Great ways to use your fabric include, but not limited to: making clothing, quilts, and awesome totes to show off your unique skills!

You don't want to miss this exciting opportunity to make one of a kind textiles.  Sign up while you can. SIGN UP HERE!

-Adrienne

CLASS DETAILS

 In this class, we will review a variety of surface design techniques, including:

  • Shibori
    • Kumo (spiderweb binding)
    • Mokume
    • Karamatsu (Japanese larch)
    • Ita Jime (folding & clamping)
  • Bandhani - the traditional form of Indian tie and dye.

Kristine will discuss the proper fabric preparation and demonstrate the various binding, stitching, and clamping techniques. Then each student will get be able to try his or her hand at stitching and folding. 

We then move to the indigo vat, where we will dip our newly tied fabrics. 

You will leave class with an array of indigo-dyed samples.  

Materials Required:  

+ 2-3 yds total of undyed fabric: cotton muslin, broadcloth, and / or linen/cotton blends.
Please wash the fabric in hot water and soap to remove any spinning / weaving oils. 

+ hand sewing needles

+ strong thread (hand quilting thread, polyester thread, or heavy duty denim thread works well) 

+ a washable fabric marker or fabric creaser 

+ rubber gloves 

Recommended Materials:  

+ small flat objects (coin sized)

+ small and medium C clamps

Date: Sunday, June 16th
Time: 2:30-5:30pm 

SIGN UP HERE!

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Madder Meets The Great White Bale

Posted by Huelo Dunn on June 06, 2013 0 Comments

 Are you following The Great White Bale? If you love to read the stories behind the yarn you buy, Clara Parkes is the ultimate storyteller. Her Great White Bale project follows a 676-pound bale of Saxon merino fleece as it winds its way across the USA, a couple times, to become gorgeous, small-batch yarn.  Armchair Travelers can follow Parkes as she chronicles just what it takes to mill high-quality, domestic wool, and get a fascinating glimpse of the proud, yet dwindling textile industry in the USA. Along the way, she introduces us to iconic milling machinery, fluffy sheep, and an inspiring community of artisans who are fighting to keep this vital industry alive in our country.

Intrepid yarn guru Clara Parkes on both sides of the camera  

Intrepid yarn guru Clara Parkes on both sides of the camera

We've been following the Great White Bale since January, so imagine our excitement when Clara asked us if we'd like to be a stop on her wool's journey. 

 

Clara talks yarn at our shop in Oakland

We were so honored to hear her fascinating story, and get a glimpse of her inestimable yarn. To dye some of the Great White Bale was a dream-come-true for Kristine, who opted for the rich and varied red tones of the madder root.

  

Kristine snips madder roots for dyeing

Clara chronicled the entire process, complete with lots of beautiful photos, for members of the Great White Bale. If you'd like to learn more, it's definitely worth becoming an Armchair Traveler. More than simply a blog, The Great White Bale is a multi-media experience, from farms, to mills, right to our very own shop. And if any Explorers are reading, get ready for some luxurious, madder-dyed Saxon merino. -HD 

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