Making an Ofrenda, Honoring Dia de los Muertos, and Dyeing with Marigolds

Posted by Kristine Vejar on October 29, 2021 0 Comments


Marigolds are one of my favorite flowers and dyes -- the warm golden hue found on their petals and transferred to yarn and cloth light up the room -- the color is like a warm embrace. We grow them almost all year long -- and they take a special significance at this time of year when we celebrate Dia de los Muertos. 


Every year, during the last week of October, I assemble a small altar called an ofrenda - which means "offering" in Spanish.

I make this in honor of Day of the Dead also known as Dias de los Muertos, celebrated on November 1 and 2 across Mexico, the U.S., and all places where those of Mexican descent live. The purpose of the alter is to remember and celebrate the lives of our loved ones who have passed.

On our altar, I place photos of Kristine and my relatives, friends, as well as our beloved pets. To please the spirits that visit during this time, we decorate with candles, marigolds, incense burner, framed pictures, paper decorations, food, and drink. Every night this week, through November 2nd, we light the candles and incense on the altar.

We place our ofrenda in the center of our living room on the fireplace mantle. It is the first thing you see when you walk in the front door of our house. Death is something we all experience and share, though it also can be incredibly difficult to process. When we see the bright, beautiful marigolds, the feeling of happiness emanates from the altar throughout the room; we do not think of our loved ones in their death rather in their most cherished moments of life spent with them. The altar and this time presents a special space for Kristine and I to be together to share stories, to remember, and to connect. Our altar provides a space to process.


I have a particular fondness for ephemera such as postage stamps and postcards, and I find textiles combined with natural dyeing as a medium particularly receptive towards stamping and imprinting time. Last year we saved our marigolds from our altar to dye a piece of cloth. Throughout the year, when seeing this cloth, I remember our altar, our loved ones, and time spent together around the altar. It keeps me close to them and I feel connected. And then when the time comes again to create our altar, I use this cloth to decorate, building upon the memories. 


I would like to invite you to:

+ Create an alter of your own - click here to learn about the history and culturally-sensitive ways to celebrate.

+ Visit the Oakland Museum of California's Honoring El Dia De Los Muertos exhibit and attend their virtual community celebration.

+ Come to Verb tomorrow, at noon, and contribute to our community altar. Bring a photo or drawing of a loved one you would like to remember, marigolds if you have them, a sweet (pan dulce) or another treat your loved one enjoyed. Once the alter is complete we will include it in a future email for all to enjoy.

+ Attend our presentation on dyeing with marigolds.


- Adrienne

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Companion Planting 2021: Maize, Beans, Squash, Indigo

Posted by Kristine Vejar on October 01, 2021 0 Comments

As we say goodbye to Summer, and ease into Fall, it seems that a cycle has been completed, so Adrienne and I thought we would give a garden update. 

Five years ago, Adrienne and I removed the juniper in our front yard to make the most of the only space in our tiny yard that has full sun. We had begun to research and experiment with the type of indigo-dyeing practiced at BUAISOU, where one grows their own indigo-bearing plants (Persicaria tinctoria), composts the leaves, and then ferments the leaves to create a dyebath. Typically, the minimum amount of dried leaves composted is 300 pounds (requiring 2000 pounds of fresh plants) - which I am sure as you can imagine is quite resource and labor intensive. So we embarked on experimenting with ways to use this sunny patch of Earth (only 100 square feet) to replicate the process on a much smaller scale making it more accessible to the home dyer. And indeed we did crack the code, and now a recipe using 40 pounds of dry leaves to create 2 ten gallon fermentation vats is published in Journeys in Natural Dyeing, freeing us and our tiny farm to grow vegetables! 

Adrienne and I are very interested in companion planting - and all symbiotic relationships. We started 2021, as we have done in prior years, where on January 1st, we clear out any old roots, prepare the furrows, plant fava beans. P. tinctoria and all indigo-bearing plants thrive on nitrogen. Fava beans, as well as other legumes, help to add nitrogen to the soil. We harvest the young fava leaves to eat as the plants grow. Once the plants reach 3-4 feet tall, we harvest them, cut them into pieces, and the sun dries them, so that they can be used as green manure. Once dry, we combine the fava plants with the soil. Meanwhile in the house, we start the P. tinctoria seeds. 

We decided to grow a Three Sisters Garden; the pinnacle of companion style growing of vegetables practiced by indigenous communities in the US, Mexico, Central and South America. The three sisters are corn, winter squash, and climbing beans. The corn grows tall, providing a trellis for the climbing beans. The beans add nitrogen to the soil benefitting the corn and squash. The leaves of the squash plant cover the ground, helping to keep weeds at bay.

Our climate here in Oakland provides a unique challenge; the fog rolls in nearly every night and the temperature can drop as much as 15 degrees. With those changes in temperature, we can experience downy mildew and larger heat-loving vegetables can struggle to ripen. So we steer clear of large heirloom tomatoes, and we hone in on cherry tomatoes. (This is also why we grow P. tinctoria and not indigofera or the other legume-based indigo-bearing plants.)

So when it came to choosing our corn, squash, and beans, we selected varieties that are said to thrive, um, maybe more like withstand, our climate. This included Glass Gem, Painted Hill, and Oaxacan Green Corn, Scarlet Runner beans, and Sweetmeat and Kabocha squash. We also planted two tomatillo plants and two hot pepper plants. 

Last year, when everything was closed down, it became easier to park in our neighborhood, and dying to see scenery beyond the 4 walls of our house, we turned our driveway into a hangout zone. While walking last Summer, we stumbled across an 80s outdoor lounge set (with cushions, yes, most likely the one you just imagined). We went home and got our 1989 Toyota truck (Lil' Red) and picked up this incredible find. This year, not knowing where we would be with the vaccine, we planned our garden so that it was oriented towards the lounge, similar to a TV facing a couch. Except our TV has been the garden (heart emoji!). Marigolds framed the front of the garden, a wonderful companion plant that keeps bugs at bay, attracts pollinators, and an amazing dye plant. We planted the P. tinctoria with the help of our friends Shiree, Yuko, and Sarah, in semi-circles hugging the centrally-located Three Sisters. 

All Summer our family was bombarded with daily photos of new garden discoveries - a new bloom or fruit or leaf. Look at the pink tassels of the corn! Taking turns unwrapping a cob of corn, revealing the most exquisite, divine, uneven rows of blue-green kernels. A ladybug - hundreds of them actually - busily climbing across leaves and nibbling on the dreadful aphids. Butterflies. Oh look - the bean tendril is hugging the cob of corn (and yes, that cob was the last one to be harvested, not wanting to disturb the embrace). The color turquoise created from the leaves of fresh P. tinctoria leaves never ceases to amaze. Our garden became our constant, guiding companion. 

With our gains, came losses. Our first, one and only, squash that was so promising, large, round, and perfect - seemingly out of nowhere, a small indent, similar looking to if someone gently pressed their fingernail into the skin, turned into a hole. We kept the squash on the vine to watch and learn. And just yesterday, the vine withered and released the squash. We sliced it open to try and see what happened. Without answers, we said goodbye and composted it. We do have another small one on the vine, though will it ripen in time as the temperatures begin to fall? A similar story with our beans, we had lots of flowers, but few beans. Though the ones we do have are cherished, bright pink and purple, we wonder if these are actually the original inspiration for jelly beans. And there were challenges with extracting indigo (more on that to come). 

I feel so uncomfortably tender. If it were up to Adrienne and I to feed ourselves from our garden, we would famish. This experience reminded me to take care and note the skill and hard work to grow a humble squash or pod of beans. Though I don't have to literally walk in another's shoes to have empathy and compassion for them, every time I practice experiential learning, it brings forth immense gratitude - in this case, thanks and recognition for those who raise our food, many of whom are undocumented and of Latinx heritage. We allow this emotion and gratitude to guide us into action - to supporting via voting pathways to citizenship, fair pay, and labor protections

We really wanted to squeeze in one more virtual dyeing session in our garden, but the team here have been tending to family stuff, and the P. tinctoria has its own ideas - it's been flowering! Moving into the next stage of its life. Every night, I was plucking the flowers off, trying to guide the energy back into the leaves, where the indigo resides. And every morning, new flowers emerged. Finally, I received the message, it is time to transition into the next phase, Autumn.

As we gently close the door to Summer, we embrace this new phase, when the P. tinctoria will create seeds for next year's crop and its dried leaves will be removed from their stems to be composted. The corn dried from the strong Summer-sun's rays will be nixtamalized and turned into masa to make tamales and tortillas. We will purchase a winter squash to roast and share. And we will begin to plan next year's garden as well as virtual and maybe even live workshops. 

Happy Autumn, 

Kristine and Adrienne 

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Summer Break 2021!

Posted by Kristine Vejar on July 17, 2021 0 Comments

Hi All,

Starting Sunday, July 17th, Team Verb is on a much needed Summer Break. We will be back in the studio on Tuesday, July 27th. Shipping will resume at this time. Curbside pickup will resume Wednesday, July 28th. 

Thank you for your support! We look forward to seeing you when we return.

Stay safe,

Team Verb!

P.S. We are deciding our in-store shopping hours on a weekly basis. Please sign up for our newsletter to get updates. 

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Reverberate Episode 10: Chinua "Chin" Matthews

Posted by Kristine Vejar on February 19, 2021 0 Comments

Reverberate Episode 10: 11 Questions with Chinua "Chin" Matthews

On today's episode we are visiting with Oakland-based designer, Chin Matthews. We hope you enjoy this episode!



Adrienne: Question 1 -- What is your definition of craftivism?

Chin: So I was thinking about this a lot. Because I don't know if there is such a succinct answer for this, because I think that all craft is really like craftivism and especially in a society like ours, that is so based on consumerism -- any act where you're creating is definitely like a radical and rebellious kind of act. But for me, I've been really inspired by the
Seam Allowance meetings at Verb and also just like, being more intentional about your fashion choices and prioritizing slow fashion over fast fashion has definitely been a big part in my craftivism journey. That's only been for what, two years now. So I'm still learning about it more and trying to be more mindful in my practice of it.

Also I just started being a part of the fiber community about two years ago. I started knitting when I was 10 or 11. But due to issues with my sexuality and not wanting people to think that I was gay, I guess while I was younger, I didn't knit as much in public, so I'm still trying to get used to everything and I think that my time at Verb has definitely shaped me a lot into thinking how craftivism can really just be all crafting that you're doing. And eschewing fast fashion by taking more slow counterparts and also how slow fashion can end up lasting longer than fast fashion, especially if you're doing mending yourself or the visual mending practices. I think you all have a book about Japanese visual mending which I think is important because I know a lot of my clothes do break down pretty fast that are fast fashion.

So I think that craftivism for me is mainly just being present and intentional with your crafting and making pieces that you're aware of and sustain for a while which is really important in these times, especially, and in our country. That is so focused on consumerism I think.

Adrienne: Question 2: How do you practice craftivism?

Chin: So one thing that I think I do. That was the most important in my craftivism is teaching a class at my job. I work at La Clínica de la Raza. It's a free health clinic in Oakland actually in three counties in the Bay area, Alameda, Solano, and Contra Costa County. And so at my job, I teach a beginning knitting class as part of our wellness initiatives with the HR department. And I think it's really valuable for not only me, but the students as well, because they get a chance to learn how to knit and get all the great benefits that knitting has to offer including health benefits, like lowering your blood pressure and decreasing arthritis and delaying onset mental issues which are related to aging, such as dementia and Alzheimer's as well. And this has been -- there's evidence-based science showing that the effects (of knitting) are generated by knitting or doing bimodal by neuro-crafting or other activities. So I think it's a very good practice for me and all of our staff who are very committed to social justice and they're on the front lines, providing health care to underserved communities that are not prioritized a lot of times in America. And so I just feel really grateful to be able to give back something to them that they can use for fighting compassion fatigue and just improving their health outcomes in general.

Adrienne: Question Three -- Why do you knit and what does it mean to you?

Chin: So the funny thing is when I first learned to knit I was going to this kind of like progressive middle school. It was a private school and it's actually not too far away from where I live now actually. But one Friday, I remember they said so we're about to go into English class, but if you want, we also have this teacher who can teach you how to knit. So you can either stay in English or you can go and learn how to knit. And I was like, okay, I'm definitely going to learn how to knit. So, I left my English class. And then I just started knitting a bookmark -- was a project that we're working on. And also where I learned that chopsticks can be a good and cost-effective method of learning how to knit. And so I started knitting there, but basically it was just a way to escape and also do my problem solving and thinking.

I had always been drawn to string arts and crafts in general. I used to make a million of both little boondoggle lanyards, like all the time and all these different shapes and arrangements. So I was really into that and then maybe it was like a natural extension from that. So I started knitting all the time pretty much after that. Even though it was more private and not in public especially as I got older and went into high school it was less of a public thing and more for me to do, to get through my, or to work through my feelings and also be able to solve my problems that I'm having in daily life.

But as I grew older, too and like became more comfortable with my identity. I also started knitting more for other people and making a lot of gifts and whatnot. I just made the first knit that item for myself, I think like a year ago. It was a hat and then I've since made a all for myself as well.

But I feel like knitting for me is a stress reliever and then also a way to give meaningful gifts to my friends and people in my life who I value. And especially in the last few years, I'm working on La Clinica. I've been making a lot of baby garments and whatnot. A lot of baby hats too, which I love because it was so quick and satisfying. And I can tell that they're going to be treasured and valued by the people that I give them to you. And that really makes me feel like maybe it's magic or making like, well magic because they'll have this item that they've coveted and used and will possibly give back to their children as they grow older. Like my mom had a knitted sweater that one of her friends made and when I was born and she gave it to me last year, I think, or year before that. And it was just cool seeing how someone had made this and then it was preserved so greatly throughout the years. And so I just want to impart that or a little bit of that onto the people that I make gifts for.

Adrienne: Question Four -- you just released your first knitting pattern, The Sloop Beanie. What compelled you to begin designing?

Chin: So I've always had an inclination towards fashion and how I present myself and how fashion is an extension of your identity. In high school, it wasn't as much knitting related, but I was always reading like GQ magazine and different menswear blogs, trying to make the latest trends and fashion concepts work for me in my body and also what I'm comfortable with presenting out to the world. And so I think that was a big driving force behind wanting to design. And especially when I started getting into more modern knitting patterns two years ago, I was realizing that there was a big gap and like male presenting fashion that could definitely be filled with some of my work I believe. And I don't think that clothes really have a gender. Any clue or any item can be worn by anybody. But I do think that there is a call for like male presenting bodies or female presenting bodies. And it's good to be clear about that because it'll affect the fit on the person themselves. So when I saw a lack of these male presenting bodies patterns I definitely thought I could help fill the void by bringing some of my own designs and thinking and patterns into the world. And yeah, I think it's just important that there are more basics in the male presenting patterns and naming spaces because it'll help people transition from fast fashion to slow fashion and making their own clothes that they feel comfortable and stylish and having when wearing. So I think that is a lot of what I think is driving me to design.

Adrienne: Question Five -- When approaching the designing process, what do you find inspirational?

Chin: So. Since I've only released my first design. This is a little bit harder for me. I guess one thing that I would say is definitely like menswear I don't really like the term as much now as it's like excludes different gender identities, I feel like, but that kind of styles what inspires me a lot and I like streetwear and the like, so I think that those are a big driving force behind my designs moving forward too. And also with the Sloop Beanie, because it was heavily inspired by different menswear trends with fishermen’s beanies and whatnot. But I also try to make something that is sustainable. And that could be worn for a long time and as a versatile accessory. I know that will be different for garments, but I want things that you can really wear and mix and match with your wardrobe. So it's actually a part of your rotation and the different clothes that you wear. So I think that's very important. And then also one of the biggest things that I think is a barrier for people transitioning from fast fashion to slow fashion is the amount of money that it can cost because we know slow fashion fabric and yarn, a lot of the times can be more expensive, but you have to think about it as in how much you're going to be wearing it and the value that it will bring. Through being able to wear it for a much longer time period of time than fast fashion, and also trying to make sure that it is not as harmful to the environment as fast-fashion is and the different production methods associated with it. So I think yeah, mostly menswear and then trying to make items that you will actually wear on a daily basis, so you can just grab and throw on without too much thought and then feel good and comfortable in the clothes that you're wearing

Adrienne: Question Six -- When choosing yarn, what characteristics speak to you?

Chin: So one thing that's a little interesting is I don't really have that much of a stash. I'm looking over here now and excuse me. My stash is only about like a tote’s bag worth of stash. Since I only really started buying yarn. To fill my stash about two years ago. And most of the time it's for yarn intended for project. So most of my stash, like half used skeins and balls right now. So just just an FYI into my yarn, that’s the situation. But a lot of times I always go for plied over single strand. I don't know why, but a lot of the times I'm going for plied yarn, which I love high plied yarns, such as like three or four are honestly my favorite. But I have been working with a lot of two ply yarns recently, which I'm starting to get more into, especially Even Tinier Annapurna, which I'm looking at now. I just started my Sloop Beanie with the Resplendent skein which is gonna turn out great.

But another thing I look for is softness versus hardness. I'm always more partial to soft yarn, honestly. But I'm starting to look into getting used to some more hard yarns, just like Lett Lopi, which is kind of infamous for that. But it does look so good in color work, which I do like. Also this is probably gonna make people scoff or think that I'm out of it, but I do like tonally dyed yarns a lot more than variegated depending on the pattern, especially I think that...yeah, I'm always going to reach for a tonal over variegated yarn most of the time. But if the pattern is like pretty vanilla or meant to show off the color of the yarn, I think that it could work, but for me, I'm mostly more of a tonally based yarn person. Also one other thing that's important for me is the strength, the tensile strength of the yarn. I'm a really hard wearer of clothes. So the tensile strength, that's really important for me. I don't want things that are going to break down very easily because of creating more waste and whatnot. And also while I'm knitting is hard too, because I'm a very tight knitter and I normally size up two needle sizes every time I make a project. And so if the yarn isn't that tight, tensile, strong, I'll end up breaking it myself, just through my knitting process. So I want to make sure that it has a good amount of strength in the yarn. And then other than that I like, I prefer to work with wool obviously. I use most of my Merino wool, or just some kind of form of wool for most of my yarn patterns.

But also getting into MCN (merino-cashmere-nylon) bases a little bit. I know that the nylon is bad. But I feel like in the future, that you can find more sustainable options for it. Maybe some plant-based like tencel or more environmentally sustainable ways of making that yarn. But I do kind of like the workhorse nature of MCN yards. One of my friends sent me a skein that they were using for designing and it was a sample from the yarn company. And I made a simple shawl with that and I was like, I do love this workhorse nature about it, but the nylon inclusion has gotten me a little wary of using it too much, but we'll see how science progresses and if we can find more sustainable alternatives for it. But yes, I think plied over non plied tonal over variegated and high tensile strength with softness. It's like my yarn dream list.

Adrienne: Question Seven -- What is your favorite color -- how does it make you feel -- and what does it represent for you?

Chin: Okay. So whenever people ask me this question, it makes me think of Elf when he says, “Oh, your dress is very purple-y today.” Because purple is my favorite color. And one thing I've noticed when. I've been living if not, most adults don't really have a favorite color, which I do not understand. And I think that everyone should have a favorite color regardless of your age. But for me, purple is definitely reminiscent of royalty. Back in the early days, I'm sure you all know purple dye matter was a lot more sensitive. So the only people that could afford purple fabric were the rich and like rulers of different nations and whatnot. So it definitely brings me back to my heritage and reclaiming my blackness as an American and also just feeling more powerful in myself. And then a lot of purple dyed fabric was indigo based and indigo has a long history in the slave trade and also how it was cultivated and practiced. So I like using purple yarns to kind of reclaim that part of our history and make it something new for ourselves. So purple is definitely like one of my power colors. I don't have that many purple items in my wardrobe now, which I need to change. But it definitely makes me feel more powerful and secure in myself when I'm wearing or working with purple. So yes, I'll definitely have to make some changes and get some more pieces of my rotation that are purple.

Adrienne: Question Eight -- What are you reading?

Chin: I'm a pretty avid reader. I haven't been in the last couple of years, but before that, and when I was a kid, I always used to go to the library with my mom and get different books picked out for me. And sadly, my local library that I used to go to was just torn down which makes me a little bit sad but yeah, I spent many a days there reading books and just getting lost in the world of fiction. When I read most of the time it's -- Oh God, I always get this confused about which one is the real one about real life and which one is made up stories, I think fiction is the made up one. So I always read fiction books as an escape. Right now I'm reading The Way of Kings by Brandon Sanderson. It's a pretty geeky like fantasy novel. That's very thick. It's like almost 2000 pages. And it's the first in the series of the Stormlight archives. I think he just released his fifth book. And the series, which I'm a long ways out from, but I really like it. It's about like magic and like these big storms that happened in this world that hold a magical energy that can be harnessed and used for different spells and supernatural abilities kind of. It reminds me of the Game of Thrones, somewhat in that the world is more of the main character then the character's themselves. So it goes between I think three to five different character's stories and showcasing how they get along in the world and what their past and present is bringing them. And there's a big kind of mystery part that I haven't gotten to figure out yet. I'm sure it'll happen by the end of the book, but it's very intriguing and keeps pulling me back for more. And I am reading it physically in a paperback. I don't know. I haven't got that into audio books yet. I should try it probably because I can listen to it while multitasking and doing something else, but I still have to break that barrier. So paper books are  the way for me now and I also have a nice collection of books that I like to keep around the house. But yeah The Way of Kings by Brandon Sanderson, I would definitely recommend it. I am a Stormlight archive series in general.

Adrienne: Question Nine -- you live in Oakland, you like living here and why?

Chin: Yes. About a year ago, I moved to the Fruitvale district of Oakland and I really love it here. It's honestly great. Most of my qualms will come with coronavirus pandemic, but besides that I really love this neighborhood. It's mainly (composed of an) immigrant population and working class neighborhood. So it feels more like a living, breathing neighborhood than where my parents live in suburban kind of track home developments. It's like everybody knows their neighbors and they're always checking up on you. And they're always getting together and talking or just like bringing over a meal or doing something together, which I think is really nice and it makes me feel more connected to where I live. So I love that aspect. And I feel like that's the same with a lot of places in Oakland. It's just very rich culturally diverse with vibrant neighborhoods.

The only thing that is somewhat worrying me about Oakland is the rise of gentrification with the tech boom that has started a couple of years, or, well, at least five years ago, you could see the real differences starting. As I said earlier, I went to middle school very close to where I am now. I could actually walk there if I wanted to. And so a lot of the places that I go now are from or places that used to frequent in my childhood, but there's still a lot of change and movement culturally in this area. So a lot of houses are being sold and or flipped because people can't afford the prices as much or getting big buyouts from like the tech companies and people who are working for them. So I'm a little worried about the gentrification of these like working class families had to have been stationed or have been living here for years are getting pushed out by the rise of housing prices and demand. So I'm trying to find ways to help with that and like my activism and whatnot. But yeah, there's a lot of work to do with that. And also unfortunately the homeless or unhoused population, I should say. I live right next to Bart's Fruitvale Station actually. And there's just a lot of unhoused encampments around here, which I feel really bad about and wish I could be more to help them. But working at La Clínica we do offer health care to a lot of those people so I feel like I'm connected to my job in serving the population in that sorts, but I'm always looking for more to do.

There are some good programs like the East Oakland Collective, which I need to officially reach out to and see if I can do some volunteer work for them. And also the People's Programs of Oakland, which just changed from the People's Breakfast. They were spawned or inspired by the free lunch programs that the Black Panthers pioneered in the seventies, eighties when they were active. And also I feel a rich tradition from the Black Panthers because my mom was actually a doctor for the Black Panthers and gave free health care during their free clinics and whatnot supporting the communities. So Oakland definitely has a very special place in my heart. And I hope that I'll be able to live here throughout my adulthood and make it a warm and welcoming place for all that want to live here.

Adrienne: Question Ten -- If you had to give one piece of advice to a new knitter, a tip or a tool that you think would really help them in the long run, what would it be?

Chin: Hm, I think that if I had to give a new knitter advice or a tip, it would be that if you're not getting it right away, it's okay. Because it is a new skill that you haven't learned before, and so as an adult or maybe like an older person we don't do as many new things as we did when we were a child. And so a lot of times people can get really frustrated easily by not getting something so quickly. But you have to think back to when your child, like when you're riding a bike for the first time without turning wheels or doing art or learning how to read and write. These things didn't happen overnight. You definitely had to start slow and then build up your progress, but you can't discredit the progress that you're making, even if it is small. So I would definitely say to new knitters -- Don't give up and keep persisting and keep practicing and you'll see development. You just can't give up at the first sight of an obstacle or a difficult session that you feel like you can't get a hold of.

Also another thing that I would say -- To be open-minded and critical or use critical thinking in your learning because a lot of the times people will be super afraid or terrified by a new knitting technique. But realistically, they already have the tools in their tool sets to learn or apply and perform those techniques. So when I find teaching knitting to a new knitter, I try to have them think critically about what they're doing and not just give them exactly what they want to hear. Which is a side note, why I'm kind of skeptical about how education is set up in the US right now it's focused more on memorization then actually understanding the material and working with it critically. So I try to impart that little bit of wisdom on my students as well, and thinking that they already have the tools to understand it but they're just discrediting themselves from the beginning. And so they won't make any progress if they continue to do that, but I'm teaching them to think more critically using things like the Socratic method and whatnot. They can come to an answer of what a knitting technique is even from just hearing the name.

So my two pieces of advice would be to don't give up early. Small progress is good progress, and also to think critically its most likely that you have the tool sets and skill sets already to perform any knitting technique, but you just haven't thought critically about how to perform it.

 Adrienne: Question Eleven -- What is the one food you love? And you think everyone should try at least once.

Chin: Okay, of course, I'm thinking about this. And I was like, there's no way I can just choose one. So I'm going to give a couple. I'm an avid cook and have been since I was a child, I always used to watch -- what is it the Food Network -- all the time. Just like learning new recipes and then different techniques that I could use while I'm cooking. So my first food is going to be oxtail. I know it sounds a little weird probably. And it is that early cow tail, but it is really so good. Most of the time it's cooked in a -- Do you like a curry? It's very tough at first. So you have to cook it overnight for about like 12 hours for it to really be tender and like fall off the bone, but it is so good. It's a staple in Jamaican food, I believe. And there used to be a Jamaican restaurant at the Public Market, which has now kind of gentrified, but there used to be a Jamaican restaurant there. And I had great oxtail and I will get it like all the time when I went there and with like some plantains on the side -- was so good. But yeah, oxtail is definitely a must.

And the other one I would say is Ethiopian food in general. It's so good. They have a great selection of meat and vegetarian options. I am a vegetarian now -- I'm a recently converted one. So I love the vegetable combinations at Ethiopian restaurants. A lot of the time they'll have like lentils and spinach. And also some like potato curries and things like that, which are really good.

And there is also a very good dish, which I used to get back when I ate meat, (called) doro wat and yebeg tibs and some others, I can't remember. Doro wat I used to love. I'm pretty sure its the one with the hard-boiled egg in it and chicken - it is very good. And then yebeg tibs. If I think, lamb? That is like submerged in some spicy sauce is really good. And of course the star of the show when you're eating Ethiopian is definitely the injera -- the special bread that they make. It's like very spongy and has like ferment-y kind of the vinegar-y taste to it, might not appeal to everyone, but it's honestly so good. And you should try it at least once. If you're open for this it is also served family style most of at the time, and they don't use utensils, they use the injera to pick up the food and then just eat it kind of as an added carb and also utensil. So I love that as well. So, yeah, my two favorite foods or foods that everyone should try at one point in their life is oxtail stew or curry and Ethiopian food, whatever kind.


Thank you, Chin for chatting with us.

We invite you to follow Chin's Instagram account so you can stay up-to-date with Chin and his newest designs.

You can purchase Chin's Sloop Beanie pattern here and yarn here.

And thank you for listening!

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In the Dye Studio: 10 Tips for Foraging Dye Mushrooms

Posted by Kristine Vejar on February 09, 2021 0 Comments

You know when so much time has gone by, you don't know where to begin...well, that is exactly what has happened here on our blog! That being said, there are so many things to tell you. So putting aside perfectionism and the idea that there is a right way to start, I will dive into the center of it all and tell you about a little jaunt Adrienne and I went on a few weeks back.

January is the prime time to go mushroom hunting here in the Bay Area because every now and then we get some rain (thank god) and the weather cools. Normally, January marks one of Adrienne's absolutely favorite outings - the Sonoma County Mycological Association's (SOMA) annual weekend get-together. She spends an entire weekend completely geeking out over mushrooms with other fungi lovers. There are lectures, classes, and forays to pick mushrooms. She normally teaches a mushroom dyeing class. Though this year, due to the pandemic, the event was postponed to 2022. So instead, Adrienne and I decided to have our own mini-SOMA camp. We packed up the car. Handed Callie, our little black and tan doxie, off to Sarah. And headed to a remote area on the Sonoma County coast named Timber Cove where we rented a house that looked out over the ocean. A winter storm was on its way in, causing the waves to crash so hard against the coast, the glass in the windows rattled. It was really something!

The reason we chose Timber Cove is because just up the road is Salt Point State Park, considered a hub for mushroom hunters, as there are many varieties to see, and also because without a permit, each person is allowed to harvest three pounds of mushrooms. While we enjoy looking at mushrooms in general, and practicing identifying them, one of the biggest reasons we enjoy hunting for mushrooms is the possibility of finding dye mushrooms!

Adrienne and I want to give you a few tips and tricks if you feel intrigued by the idea of foraging for mushrooms, particularly ones that may have the ability to dye cloth! 

There is a fine balance in maintaining a healthy forest and fungi are an important part of maintaining this symmetry. They provide nutrients. They aid in decomposing trees, adding to layers of soil and moisture. So keep in mind the following 10 tips:
1. Make sure to ask and receive permission before removing mushrooms.
2. Only take what you need. And work on projects that require only small amounts of mushrooms. There are many amazing textile techniques that can stretch a small amount of yarn and fabric - such as colorwork knitting and quilting.
3. When harvesting mushrooms, use a mushroom knife to cut the stem about 1/2" above the ground, leaving the mycelium (roots) intact and in the ground. This will aid in the growth of more mushrooms.
4. Be mindful of your surroundings - it is very easy to get excited, wander off, and get lost! Also, many times, we find that we are traversing hillsides, so be careful to not fall.
5. Stay hydrated and bring snacks.
6. After handling mushrooms, always wash your hands. Do NOT ever eat a wild mushroom unless you are 110% sure you know that it is edible.
7. If the gills of the mushrooms are colorful (not white), there is a good chance they may dye cloth!
8. Use the app Inaturalist and the book All that the Rain Promises and More to identify mushrooms.
9. Bring along a basket with paper bags and / or wax bags to store your mushrooms and keep them separated by type.
10. Refer to our book, Journeys in Natural Dyeing, for photos of commonly found dye mushrooms, instructions for how-to dye with them, and swatches of color exhibiting the wide array of colors that are possible!

Stay safe! Have fun! And keep warm! Hunting for mushrooms is an amazing way to connect with the forest, with one another, and to create color!

- Kristine and Adrienne

P.S. Adrienne is teaching a class on mushroom dyeing in a couple weeks - it is a ton of fun and you will learn a lot! 

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